By Deborah Yaffe, Feb 7 2019 02:00PM
Jane Austen wrote only seventy pages of Sanditon before her final illness left her unable to work. In the intervening two centuries, her promising start has inspired plenty of fanfic (six years ago, I reviewed a dozen examples) but no screen versions.
Last year, however, exciting news broke about a planned Sanditon television adaptation by revered screenwriter Andrew Davies, of Mr.-Darcy-in-a-wet-shirt fame. We Sanditon fans have been burned before – it’s been nearly a year and a half since we heard anything about the Fluidity Films adaptation that was originally projected for a 2017 release – but it looks like the Davies version is really happening.
The latest hopeful sign comes buried in a longer inews.com interview with Kevin Lygo, director of television for ITV, the British network that is collaborating with PBS’ Masterpiece on the production. (Scroll down to the grey text box for Sanditon news.) Shooting will start this spring, Lygo promises. Woo hoo!
With its strong female characters and “handsome men,” Sanditon is “gold dust for TV,” Lygo opines. “We can keep it going for years.” Obviously, ITV, the people who brought us Downton Abbey, are hoping to see a repeat of that particularly profitable lightning strike.
Despite its period trappings, Downton Abbey was never much like Jane Austen, and there’s reason to believe that, whatever its origins, Sanditon won’t be, either. We’ve already heard talk of nude bathing, West Indian locations, and scenes set in London’s rotting alleys. And now the inews interview describes Austen’s fragment as “the story of the impulsive and unconventional Charlotte Heywood,” making her sound like a Marianne Dashwood type, when Austen’s Charlotte is much closer to Elinor Dashwood: the cool and sensible center around whom a host of crazies revolves. I love Elinor, but it wouldn’t surprise me if ITV thinks Marianne makes for better TV in our overheated, un-sensible age.
It’s possible that Davies is going to bring us a faithful adaptation of Austen’s fragment, followed by a whole lot of stuff she never had time to write (or, more likely, never would have written). Or perhaps the whole thing, from beginning to end, will have nothing to do with Our Jane. But at least we’re going to know for sure within a year or so.